A Critical History of English Literature, Том 4Secker & Warburg, 1969 - Всего страниц: 1211 |
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Стр. 1097
... comedy never achieved a proper kind of stylization . Their plays were set in contemporary society , but the dialogue ... comedy for a long time . It is perhaps an indication of the poverty of eighteenth - century drama that this simple ...
... comedy never achieved a proper kind of stylization . Their plays were set in contemporary society , but the dialogue ... comedy for a long time . It is perhaps an indication of the poverty of eighteenth - century drama that this simple ...
Стр. 1107
... comedy with one tragic scene , and the comedy lies in the way in which Shaw interprets his historical characters in the light of his own modern understanding and preoccupations . He never really comes to terms with the miraculous in ...
... comedy with one tragic scene , and the comedy lies in the way in which Shaw interprets his historical characters in the light of his own modern understanding and preoccupations . He never really comes to terms with the miraculous in ...
Стр. 1174
... comedy whose ingenuity and sublety derive from a pattern of human inter - relationships belong- ing fundamentally to an older world - much older than that of Amis and Sillitoe , and even older than that of Virginia Woolf . Sophisticated ...
... comedy whose ingenuity and sublety derive from a pattern of human inter - relationships belong- ing fundamentally to an older world - much older than that of Amis and Sillitoe , and even older than that of Virginia Woolf . Sophisticated ...
Содержание
VOLUME | 855 |
SHELLEY KEATS AND BYRON | 905 |
FAMILIAR CRITICAL AND MISCELLANEOUS PROSE OF | 935 |
Авторские права | |
Не показаны другие разделы: 7
Часто встречающиеся слова и выражения
achieve Arnold attitude ballad beauty Blake blank verse Byron century character Coleridge colloquial combination comedy comic contemporary criticism D. H. Lawrence death deliberately developed Dickens dramatic E. M. Forster effect eighteenth-century Eliot emotional England English English poetry essays experience feeling fiction French Revolution George Eliot give hero human ideal ideas imagery images imagination individual influence intellectual interest irony Keats kind language literary literature living meaning medieval melodrama mind modern mood moral movement moving narrative nature neo-Platonic never nineteenth novel novelist passion pattern plays poem poet poetic poetry political Pre-Raphaelite present problems produced prose reader relation rhythms romantic romanticism Ruskin satire scene sense sentimental Shelley shows significant social society sometimes stanza story style suggestion symbolic T. S. Eliot Tennyson theme things thought tion tone tradition verse Victorian Virginia Woolf vision W. S. Gilbert whole words Wordsworth writing Yeats