Leigh Hunt's Dramatic Criticism, 1808-1831, Volume 10Columbia University Press, 1949 - 347 pages |
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Page 167
... admiration . What is the reason then we have not noticed it , except in passing ? 2 Why , partly because we have been occupied and dilatory , and partly because the work is all that we have said it is . It is full of thinking and ...
... admiration . What is the reason then we have not noticed it , except in passing ? 2 Why , partly because we have been occupied and dilatory , and partly because the work is all that we have said it is . It is full of thinking and ...
Page 168
... admired foolish things to no pur- pose ; but they have so often been told so that they begin to think there is some truth in it ; and the objects of their false at- tention instructively feel it necessary to bind them ever to their ...
... admired foolish things to no pur- pose ; but they have so often been told so that they begin to think there is some truth in it ; and the objects of their false at- tention instructively feel it necessary to bind them ever to their ...
Page 201
... admired Mrs. Siddons , been infinitely amused with Lewis , been sore with laughing at Munden , been charmed with Mrs ... admirable in this performance , it would be the low and agitated affecta- tion of quiet discourse , in which he ...
... admired Mrs. Siddons , been infinitely amused with Lewis , been sore with laughing at Munden , been charmed with Mrs ... admirable in this performance , it would be the low and agitated affecta- tion of quiet discourse , in which he ...
Contents
CRITICISM ON SHAKSPEARES MUCH ADO ABOUT NOTHING | 3 |
MR YOUNGS MERITS CONSIDERED | 21 |
THE CONSCIOUS LOVERS | 35 |
Copyright | |
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acting actor actress admiration appearance Archer and Lowe audience beautiful Beggar's Opera better burlesque character Charles Charles Kemble comedy comic Coriolanus Covent-Garden Critical Essays 1807 dance delight Don Giovanni drama Drury Lane Drury-Lane effect Elliston English excellent expression eyes face fancy Farren feeling genius gentleman give Haymarket Hazlitt humour Hunt Hunt's instance Italian John Juliet Kean Kean's Kemble King King Lear lady Lear Leigh Leigh Hunt Liston look lovers Macbeth Madame Managers manner Mask Miss Mozart nature never night opera Othello Paganini Pantomime passages passion performance perhaps person piece play play-bill Play-Goer pleasant pleasure poet poetry present readers Richard Romeo Romeo and Juliet scene seems Shakspeare Shakspeare's shew Siddons singer songs sort speak spirit stage style sweet taste Tatler theatre Theatrical Examiner thing Timon tion tragedy tragic Twelfth Night voice whole William Hazlitt words writer young