The London Magazine, Volume 2Baldwin, Cradock, and Joy, 1820 |
From inside the book
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Page 5
... scenes of her Redeemer's toil , Looks to the stones on which his feet were set , Or walks the path with tears divine once wet , When o'er Jerusalem , with boundless love , He stood to mourn- -Oh , she may well forget All wishes that the ...
... scenes of her Redeemer's toil , Looks to the stones on which his feet were set , Or walks the path with tears divine once wet , When o'er Jerusalem , with boundless love , He stood to mourn- -Oh , she may well forget All wishes that the ...
Page 37
... scene , in order that we may fulfil the engagement entered into in our former article . In this play the characters are as strong- ly and as firmly drawn as any in the long list of Shirley's pieces . The name of the hero is Foscari , a ...
... scene , in order that we may fulfil the engagement entered into in our former article . In this play the characters are as strong- ly and as firmly drawn as any in the long list of Shirley's pieces . The name of the hero is Foscari , a ...
Page 38
... scene , went with the intention to proclaim to the Duke how great a sacrifice he made in resigning Cleona , but merely to ascertain the firmness and purity of the affection of his noble rival.- The confession of his own love breaks from ...
... scene , went with the intention to proclaim to the Duke how great a sacrifice he made in resigning Cleona , but merely to ascertain the firmness and purity of the affection of his noble rival.- The confession of his own love breaks from ...
Page 39
... scene is laid , ) against the Arragonese . The following is part of a scene between the Duchess , Rosaura , and Alvarez , in Act I. Duch . Hath love taught thee no more assurance in Our mutual vows ? thou canst suspect it possible I ...
... scene is laid , ) against the Arragonese . The following is part of a scene between the Duchess , Rosaura , and Alvarez , in Act I. Duch . Hath love taught thee no more assurance in Our mutual vows ? thou canst suspect it possible I ...
Page 40
... scene , what is observable in all the plays from the same pen , a strict and har- monious adaptation of the language to the persons and the situations : the contrary is an offence that Shirley ne- ver commits , not even , as far as our ...
... scene , what is observable in all the plays from the same pen , a strict and har- monious adaptation of the language to the persons and the situations : the contrary is an offence that Shirley ne- ver commits , not even , as far as our ...
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