But through a deluge of thy blood. Oro. There needs not, then, this storm to break down King. Hold-or else thou rob'st me of my fixt resolves. Commands me die in the attempt, or kill thee. Oro. Dear sir, reveal it; That, ere I fall, my penitential tears May from that leprous crime expunge my soul. King. Alas, brave youth! thy innocence needs not The laver of a tear; thy candid thoughts As goodnesse from a deity; yet must Oro. With pardon, royall sir, I cannot think King. Dost thou affect her, yet dispraise a beauty That in its orb, contracts divinity? This profanation, what had else been sin, [They fight, and the King falls. Act IV. Scene II. There is great dignity in the preceding scene; the following passage and soliloquy, also, possess considerable merit-there are some beautiful touches of natural emotion in the bitter agonies of self-reproach of Oroandes-in the gushing out of an anguished heart;-such appeals are never made in vainthey strike upon the golden chain which links us with our common nature, and awaken the deepest sympathies of the heart. Enter Oroandes and a Surgeon. Oro. Not find the body, say'st? Sur. No, sir; yet, by the large effusion of his blood, Some mountaineers have certainly conveyed His body thence to burial; those bloody characters Oro. Then I am lost eternally-lost to all A saint in heaven, or friend on earth, but will, Scatter infection through the world, forsake With none but the society of devils. Sur. Sir, I wish, I in ought else could serve you. Oro. I thank thee, friend Heavens What an unwieldy monster am I grown, gangrene -Oh! my accursed stars, that only lent Enter Oroandes, alone, in the habit of a Forrester. Oro. Not yet not yet at quiet-no disguise Is dark enough to curtain o'er my guilt; Cannot preserve from trembling; he looks on Dejected wretches as assassinates, [Exit Sur. Act V. And each petition for a ponyard fears. And call their crimes the cure of sickly states; Are grown more killing than the basilisk's, And each vein fill'd with poison, since these hands, But do I want more desperation yet? Are there not fiends enough, now waiting on me, To guide my trembling hand untill it reach The center of my life? This fatall weapon slew my prince; -This was his blood that stains it, [Draws his sword. The blood that warm'd those browes, a crown imbrac'd, -Let forth by me t' embalm the earth, and in Warm vapors spend the pretious breath of life, Which, mounting upwards, sent perfumes to heaven; No, I will live-live, till divellop'd guilt Makes me a publick spectacle of hate-and then Adds to their ponderous weight a full-mouth'd curse." Act V. A gentle and tender melancholy is diffused over the affecting reflections, in the soliloquies of Vanlore, a noble gentleman, but of low fortune, to whom his rival, a rich simpleton, is preferred by the father of Theocrine. "Van. How purblind is the world, that such a monster, In a few dirty acres swadled, must Be mounted, in opinion's empty scale, Above the noblest virtues that adorn Souls that make worth their center, and to that The noble soldier sits, whilst, in his cell The scholar stews his catholique brains for food. A second pilgrimage to farmer's doors, or end So generous to relieve, where vertue doth That moth, which frets the sacred robe of wit, Act I. Scene I. The following lines, addressed by Oroandes to Eurione, are exquisitely beautiful. "The morning pearls, Dropt in the lillie's spotlesse bosome, are Lesse chastly cool, ere the meridian sun Hath kist them into heat." Oroandes says to Zannazarro, when in rebellion : "Nobility, like heaven's bright plannets, waits Upon the sun of majesty, whilst none But comets drop from their usurped spheres." ART. VII. The Felicitie of Man, or, his Summum Bonum. Written by ST R. Barckley, K In cœli summum permanet arce bonum. Boeth. de Cons. Philos. lib. 3. London: Printed by R. Y. and are sold by Rich. Roystone, at his shop in Ivie Lane. 1631. Small 4to, pp. 717. Of this author, or his book, we have not been able to find any notice or account whatever. It is a quarto, of a pretty good thickness,-is rare, and purports to be an ethical treatise on human happiness, consisting of six books. In the first, the author offers to prove, and by example to shew, that felicity consists not in pleasure,-In the second, not in riches,-In the third, not in honour and glory,-In the fourth, not in moral virtue, or in the action of virtue, after the academicks and peripateticks, nor in philosophical contemplation,—In the fifth, he declares his own opinion of the happiness of this life -and in the sixth, he shews, wherein consists the true felicity and SUMMUM BONUM of man, and the way to attain it. To establish these several propositions by examples, Sir Richard Barckley has wandered over all the fields of ancient and modern history, and culled every story, every anecdote, every narrative, and almost every maxim, that could by any means be made applicable to his purpose, and some that could not ;—he has visited every spring that would yield a flower or an extraordinary weed on its green margin, and has ransacked every sequestered nook and secret place, to collect materials: for this one special purpose" he has, he says, "walked into the muses' garden, and perusing divers sorts of things, applied by the authors to divers uses, has gathered together some of those, which he thought most fit to serve his purpose; and although they were good as they lay scattered, yet being gathered together and applied to some special use, they are made more profitable than as they lay dispersed." 66 It is in fact a garner filled with the most amusing and best histories, and little narrations, told in the author's own words, and occasionally enlarged, but in perfect keeping and consistency. Many of them are related from memory, and thereby have attained something of the freedom and spirit of originals. We have often thought, that a collection of all the old stories of antiquity, as they are scattered about Herodotus, Diogenes Laertius, Ælian, and other writers of that description, if re-told in the spirit of modern times, and with a genuine feeling of their truth and beauty, might make a very pleasing little volume.* The book before us has not the elastic vivacity, nor the pensive sweetness, which should both be main features in such a work. There is, indeed, a heaviness and clumsiness about the unknown knight's production, which would prevent its ever being a prime favourite with us; yet we cannot help frequently admiring the lumbering sort of dexterity with which he brings his artillery of tales and anecdotes to bear upon the true" Summum Bonum." Though we are inclined to attach very little importance to Sir Richard as an ethical writer, we lament the scarcity of this most amusing storehouse of fact and fiction. Sir Richard is not a man troubled with scepticism * Since writing the above, we have seen some numbers of a small weekly publication, entitled "The Indicator," by Leigh Hunt, the author of Rimini; which in a great measure comes up to the idea here expressed, and which, if continued with the same luxuriance of fancy and the same hearty feeling for the humane and the beautiful, will form, when finished, an exquisite addition to our periodical library. |