Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - Всего страниц: 482 |
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Стр. 353
... distinction between poets and prose writers is a vulgar error . The distinction between philosophers and poets has been anticipated . Plato was essentially a poet - the truth and splendour of his imagery , and the melody of his language ...
... distinction between poets and prose writers is a vulgar error . The distinction between philosophers and poets has been anticipated . Plato was essentially a poet - the truth and splendour of his imagery , and the melody of his language ...
Стр. 431
... distinction between the novel of character and the novel of incident which must have cost many a smile to the intending fabulist who was keen about his work . It appears to me as little to the point as the equally celebrated distinction ...
... distinction between the novel of character and the novel of incident which must have cost many a smile to the intending fabulist who was keen about his work . It appears to me as little to the point as the equally celebrated distinction ...
Стр.
... distinction does Coleridge make between categories of prose works ? On what principle ? 2. What does Coleridge think of Wordsworth's term " superadded " ? Why does he find its implications objectionable ? 3. In what other respects does ...
... distinction does Coleridge make between categories of prose works ? On what principle ? 2. What does Coleridge think of Wordsworth's term " superadded " ? Why does he find its implications objectionable ? 3. In what other respects does ...
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action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon