Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - Всего страниц: 482 |
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Стр. 48
... fact nor yet true to fact : they are , very pos- sibly , what Xenophanes says of them . But anyhow , ' this is what is said . ' Again , a description may be no better than the fact : still , it was the fact ; as in the passage about the ...
... fact nor yet true to fact : they are , very pos- sibly , what Xenophanes says of them . But anyhow , ' this is what is said . ' Again , a description may be no better than the fact : still , it was the fact ; as in the passage about the ...
Стр. 395
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its emotion to the ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its emotion to the ...
Стр. 459
... fact , of eccentricity in poetry is to seek for new human emotions to express ; and in this search for novelty in the wrong place it discovers the perverse . The business of the poet is not to find new emotions , but to use the ordinary ...
... fact , of eccentricity in poetry is to seek for new human emotions to express ; and in this search for novelty in the wrong place it discovers the perverse . The business of the poet is not to find new emotions , but to use the ordinary ...
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action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon