Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - Всего страниц: 482 |
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Стр. 25
... mean language into which rhythm , ' harmony , ' and song enter . By ' the several kinds in separate parts , ' I mean , that some parts are rendered through the medium of verse alone , others again with the aid of song . Now as tragic ...
... mean language into which rhythm , ' harmony , ' and song enter . By ' the several kinds in separate parts , ' I mean , that some parts are rendered through the medium of verse alone , others again with the aid of song . Now as tragic ...
Стр. 42
... mean . The clearest style is that which uses only current or proper words ; at the same time it is mean : witness the poetry of Cleophon and of Sthenelus . That diction , on the other hand , is lofty and raised above the commonplace ...
... mean . The clearest style is that which uses only current or proper words ; at the same time it is mean : witness the poetry of Cleophon and of Sthenelus . That diction , on the other hand , is lofty and raised above the commonplace ...
Стр.
... mean by " half knowledge ” ? 7. Are the two concepts of negative capability and diligent indolence related ? If so , what is the connection ? 8. What does Keats mean by " the wordsworthian or egotistical sublime " ? Compare his concept ...
... mean by " half knowledge ” ? 7. Are the two concepts of negative capability and diligent indolence related ? If so , what is the connection ? 8. What does Keats mean by " the wordsworthian or egotistical sublime " ? Compare his concept ...
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action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon