Criticism: Twenty Major StatementsCharles Kaplan Chandler Publishing Company, 1964 - Всего страниц: 482 |
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Стр. 27
... whole that is wanting in magnitude . A whole is that which has a beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to be ...
... whole that is wanting in magnitude . A whole is that which has a beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to be ...
Стр. 38
... whole story of the Fall of Troy , instead of selecting portions , like Euripides ; or who have taken the whole tale of Niobe , and not a part of her story , like Aeschylus , either fail utterly or meet with poor success on the stage ...
... whole story of the Fall of Troy , instead of selecting portions , like Euripides ; or who have taken the whole tale of Niobe , and not a part of her story , like Aeschylus , either fail utterly or meet with poor success on the stage ...
Стр. 307
... whole attention of the reader to itself , disjoins it from its context , and makes it a separate whole , instead of an harmonizing part ; and on the other hand , to an unsustained composition , from which the reader collects rapidly the ...
... whole attention of the reader to itself , disjoins it from its context , and makes it a separate whole , instead of an harmonizing part ; and on the other hand , to an unsustained composition , from which the reader collects rapidly the ...
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action admiration Aeschylus ancient appear Aristotle artist audience beauty Ben Jonson blank verse character Chaucer comedy common composition criticism delight Demosthenes diction divine doth drama effect emotion English epic Epic poetry Euripides excellent expression eyes fame fault feelings French genius give Glaucon Greek hath Herodotus Hesiod Homer honour human Hyperides imagination imitation kind knowledge language learning less Lisideius living manner mean metre mind modern moral nature never novel objects observed passages passion perfect perhaps persons philosopher Pindar Plato Plautus play pleasure plot Plutarch poem Poesy poet poet's poetic poetry praise principle produced prose reader reason religious perception rhyme scenes sense Shakespeare Silent Woman Sophocles soul speak speech spirit stage story sublime things thought Thucydides tion tragedy true truth verse virtue whole words write Xenophon