The Quarterly Review, Volumes 246-247William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, Sir William Smith, Sir John Murray (IV), Rowland Edmund Prothero Baron Ernle, George Walter Prothero John Murray, 1926 |
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Page 7
... fact they seem to have drawn their inspiration from the creations of contemporary German and Austrian archi- tects . Whatever merits they may have they are alien to the English tradition and temperament . The fact is that the new ...
... fact they seem to have drawn their inspiration from the creations of contemporary German and Austrian archi- tects . Whatever merits they may have they are alien to the English tradition and temperament . The fact is that the new ...
Page 8
... fact is that in the best of our contemporary architecture any one with the requisite knowledge can detect the various strains assimilated from the past . Mr Marriott in his useful account of ' Modern English Architecture ' says , ' With ...
... fact is that in the best of our contemporary architecture any one with the requisite knowledge can detect the various strains assimilated from the past . Mr Marriott in his useful account of ' Modern English Architecture ' says , ' With ...
Page 11
... fact that they use the same language , and that there is no mystery of specialised technique . Scientific men criticise each other , but it is on the question of facts . In architecture it is not a question of facts but of æsthetic , a ...
... fact that they use the same language , and that there is no mystery of specialised technique . Scientific men criticise each other , but it is on the question of facts . In architecture it is not a question of facts but of æsthetic , a ...
Page 12
... fact , this is just what the Italians of the 17th century did ; provided they got a grandiose and startling effect they seem to have been indifferent how the effect was arrived at . They cared only for show , and after the fine flame of ...
... fact , this is just what the Italians of the 17th century did ; provided they got a grandiose and startling effect they seem to have been indifferent how the effect was arrived at . They cared only for show , and after the fine flame of ...
Page 13
... facts and do not cover the ground . Nor can one accept Mr Scott's reading of Italian Renaissance architecture . Sometimes ... fact this is not how architecture , or any other art , develops . Each of us in our generation , whether moving ...
... facts and do not cover the ground . Nor can one accept Mr Scott's reading of Italian Renaissance architecture . Sometimes ... fact this is not how architecture , or any other art , develops . Each of us in our generation , whether moving ...
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