The Quarterly Review, Volumes 246-247William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, Sir William Smith, Sir John Murray (IV), Rowland Edmund Prothero Baron Ernle, George Walter Prothero John Murray, 1926 |
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Page 8
... leave the beaten track and stand on one's head in the ditch in order to attract attention . The fact is that in the best of our contemporary architecture any one with the requisite knowledge can detect the various strains assimilated ...
... leave the beaten track and stand on one's head in the ditch in order to attract attention . The fact is that in the best of our contemporary architecture any one with the requisite knowledge can detect the various strains assimilated ...
Page 16
... leaves wholly untouched a very critical problem , namely , what goes on in the mind of the creative artist himself . Even Mr Scott admits that architects do not imagine themselves to be arches and buttresses when they set about ...
... leaves wholly untouched a very critical problem , namely , what goes on in the mind of the creative artist himself . Even Mr Scott admits that architects do not imagine themselves to be arches and buttresses when they set about ...
Page 17
... leave our generation free to follow out its own ideas . ' There can be no doubt that 17th- and 18th - century art in Italy , and indeed elsewhere , was seriously under - rated by popular writers of the last century , but this complete ...
... leave our generation free to follow out its own ideas . ' There can be no doubt that 17th- and 18th - century art in Italy , and indeed elsewhere , was seriously under - rated by popular writers of the last century , but this complete ...
Page 19
... leaves Baroque art where it was , and he does himself less than justice when he says there is a total lack in his generation of ' self - confidence and fluency . ' It must be admitted that it is not very easy to define ' Baroque ' art ...
... leaves Baroque art where it was , and he does himself less than justice when he says there is a total lack in his generation of ' self - confidence and fluency . ' It must be admitted that it is not very easy to define ' Baroque ' art ...
Page 20
... leave the spectator gasping , and this , in fact , seems to me to be one meaning of the Baroque in art . It is an affair of the footlights from first to last . Where greater men have been content to pursue the even tenor of their way ...
... leave the spectator gasping , and this , in fact , seems to me to be one meaning of the Baroque in art . It is an affair of the footlights from first to last . Where greater men have been content to pursue the even tenor of their way ...
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