The Quarterly Review, Volumes 246-247William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, Sir William Smith, Sir John Murray (IV), Rowland Edmund Prothero Baron Ernle, George Walter Prothero John Murray, 1926 |
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Page 5
... matter in æsthetic till we prefer the dry light of the intellect to the vague aspirations of the sentimentalist . The most formidable claim of our young lions in architecture is that they are starting a new manner of their own . They ...
... matter in æsthetic till we prefer the dry light of the intellect to the vague aspirations of the sentimentalist . The most formidable claim of our young lions in architecture is that they are starting a new manner of their own . They ...
Page 11
... matter of taste . To put it mildly , it seems to me unsportsmanlike for one architect to criticise another in the public press so long as they are both in the arena . Such criticism , based as it often is on inadequate knowledge , is ...
... matter of taste . To put it mildly , it seems to me unsportsmanlike for one architect to criticise another in the public press so long as they are both in the arena . Such criticism , based as it often is on inadequate knowledge , is ...
Page 12
... matter of evolu- tion , without regard to the aesthetic values of the different stages of its development . With Mr Scott's demonstra- tion of the inadequacy of these methods of criticism one is in full agreement , but there is a flaw ...
... matter of evolu- tion , without regard to the aesthetic values of the different stages of its development . With Mr Scott's demonstra- tion of the inadequacy of these methods of criticism one is in full agreement , but there is a flaw ...
Page 17
... matter of fact , except for its superabundance of figures , the actual design of the façade , and of that of San Lazaro dei Mendicanti ( 1673 ) , is no more Baroque than that of San Giorgio or the Redentore . There is any quantity of ...
... matter of fact , except for its superabundance of figures , the actual design of the façade , and of that of San Lazaro dei Mendicanti ( 1673 ) , is no more Baroque than that of San Giorgio or the Redentore . There is any quantity of ...
Page 20
... matter of temperament , of the point of view from which the artist approaches his work . It is the complement , let us say , to the macabre , cheerful , amusing , and absurd , where the macabre is deliberately I gruesome . Both of them ...
... matter of temperament , of the point of view from which the artist approaches his work . It is the complement , let us say , to the macabre , cheerful , amusing , and absurd , where the macabre is deliberately I gruesome . Both of them ...
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