"If you scold me any more I shall cry," she says, lightly. "I always give way to tears when driven into a corner. It saves time and trouble. Besides," returning with some slight perversity to the charge, "shall I tell you a secret? Your brother likes that little name. He does, indeed. He has told me so a thousand times in the days gone by. Very frivolous of him, isn't it? But-ah! here he is," as the door opens, and Sir James comes in. "You are a little late, are you not?" leaning back in her chair with a certain amount of languid, but pleasing, grace, and holding out to him a slender ungloved hand, on which some rings sparkle brilliantly.

"Have I kept you waiting?" asks he, eagerly, foolishly glad because of her last words, that seem to imply so much and really mean so little. Has she been anxious for his coming? Have the minutes appeared tedious because of his absence? "I hurried all I knew," he says; "but stewards will be stewards."

"I have been quite happy with Miss Scrope; you need not look so penitent," says Clarissa. "And who am I, that I should compete with a steward? We have been having quite a good time, and an excellent argument. Come here, and tell your sister that you think Jim the prettiest name in the world."

"Did any one throw a doubt on the subject? Lives there a soul so dead to euphony as not to recognize the music in those three letters ?-Jim! Why, it is poetry itself," says Sir James, who is not so absent that he cannot scent battle on the breeze. As he speaks, he smiles; and when James Scrope smiles he is almost handsome.

"Some day you will regret encouraging that child in her folly," remarks Miss Scrope, severely. At which the child makes a saucy little grimace unseen, and rises to her feet.

"What a solemn warning!" says Scrope, with a shrug. "I hope," turning to Clarissa, "you have taken it to heart, and that it will keep you out of imaginary mischief. It ought, you know. It would be a shabby thing to bring down public censure on the head of one who has so nobly espoused your

cause.

"My conduct from this day forth shall be above suspicion," says Clarissa. "Good-by, Miss Scrope," stooping to press her fresh warm lips to the withered cross old cheek beneath her: "I am going to tread old ground with-James."

She follows him across hall and corridor, through two modern rooms, and past a portière, into another and larger hall beyond. Here, standing before a heavy oaken door, he turns the handle of it, and, as it swings back slowly and sleepily, they pass into another room, so unexpectedly and so strangely different from any they have yet entered, as almost to make one start.

It is a huge old-fashioned apartment, stone-floored and oakpanelled, that once, in olden days, must have been a refectory. Chairs, carved in oak, and built like bishops' thrones, line the walls, looking as though no man for many a hundred years has drawn them from their present position. Massive cab

inets and cupboards, cunningly devised by crafty hands in bygone days, look out from dusky corners, the hideous faces carved upon them wreathed in their eternal ghastly smiles. From narrow, painted windows great gleams of sunset from the gay world without pour in, only to look sadly out of place in the solemn gloomy room. But one small door divides it from the halls outside; yet centuries seem to roll between it and them.

In one corner a door lies half open, and behind it a narrow flight of stairs runs upward to a turret chamber above,―a tiny stairway, heavily balustraded and uncarpeted, that creates in one a mad desire to ascend and learn the secrets that may lie at its top.

Miss Peyton, scarce noticing the monkish refectory, runs to the stairs and mounts them eagerly, Sir James following her in a more leisurely fashion.

"Now for my own room," she says, with some degree of quickness in her tone. She reaches the turret chamber as she speaks, and looks around her. It is quite a circle, and apparently of the same date as the one they have just quitted. Even the furniture, though of lighter make and size, is of a similar age and pattern. Ugly little chairs and unpleasantly solid tables are dotted here and there, a perfect wealth of OldWorld work cut into them. Everything is carved, and to an unsympathetic observer it might occur that the carver must have been a person subject to fiendish visions and unholy nightmares. But no doubt the beauty of his designs lies in their ugliness, and his heads are a marvel of art, and his winged creatures priceless!

The high chimney-piece is en rapport with all the rest, and scowls unceasingly; and the very windows-long and deephave little faces carved on either side of them, of the most diabolical.

Miss Peyton is plainly entranced with the whole scene, and for a full minute says nothing.

66

"I feel as though I were a child again," she says, presently, as though half regretful. Everything comes back to me with such a strange yet tender vividness. This, I remember, was my favorite table, this my favorite chair. And that little winged monster over there, he used to whisper in my ears more thrilling tales than either Grimm or Andersen. Have you never moved anything in all these years?"

"Never. It is your own room by adoption, and no one shall meddle with it. When I went abroad I locked it, and carried the key of it with me wherever I went; I hardly know why myself." He glances at her curiously, but her face is averted, and she is plainly thinking less of him than of the many odd trifles scattered around. "When I returned, dust reigned, and spiders; but it has been made spick and span today for its mistress. Does it still please you? or will you care to alter anything?"

"No, nothing. I shall pay a compliment to my childish taste by letting everything stay just as it is. I must have been rather a nice child, Jim, don't you think? if one passes over the torn frocks and the shrewish tongue."

"I don't think I ever saw a tear in your frocks," says Sir James, simply, "and if your tongue was shrewish I never found it out."

Miss Peyton gives way to mirth. She sits down on a wretchedly uncomfortable, if delightfully medieval, chair, and laughs a good deal.

"Oh, wad some power the giftie gie us

To see oursels as others see us!"

she quotes, gayly. "Those lines, meant by poor Burns as a censure on frail humanity, rather fall short at this moment. Were I to see myself as you see me, Jim, I should be a dreadfully conceited person, and utterly unbearable. What a good friend you make!"

"A bad one, you mean. A real friend, according to my

lights, is a fellow who says unpleasant things all round and expects you to respect his candor. By and by, when I tell you a few home truths, perhaps you will not like me as you do now."

Yes, I shall always like you," says Clarissa. "Long ago, when you used to scold me, I never bore malice. I suppose you are one of those rare people who can say the ungracious thing in such a manner that it doesn't grate. But then you are old, you know, Jim, very old,-though, in appearance, wonderfully young for your years. I do hope papa, at your age, will look as fresh."

She has risen, and has slipped her hand through his arm, and is smiling up at him gayly and with a sweetness irresistible. Sir James looks as pleased as though he had received a florid compliment.

"What a baby you are!" he says, after a pause, looking down at her admiringly. Judging by his tone, babies, in his eyes, must possess very superior attractions. "There are a

good many babies in the world, don't you think?" he goes on, presently. "You are one, and Geoffrey Branscombe is another. I don't suppose he will ever quite grow up."

"And Horace," says Clarissa, idly, "is he another?"

But Sir James, though unconsciously, resents the question. "Oh, no!" he says, hastily. "He does not come within the category at all. Why," with a faint smile, "he is even older than I am! There is no tender baby-nonsense about him."

"No, he is so clever, so far above us all, where intellect is concerned," she says, absently. A slight smile plays about her lips, and a light, that was not there a moment since, comes to life within her eyes. With an effort, she arouses herself from what were plainly happy day-dreams, and comes back to the present, which, just now, is happy too.

"I think nature meant me to be a nun," she says, smiling. "This place subdues and touches me so. The sombre lights and shadows are so impressive! If it were indeed mine (in reality), I should live great part of my time in it. Here, I should write my pleasantest letters, and read my choicest books, take my afternoon tea, and make welcome my dearest friends,you among them. In fact, if it were practicable," nodding her pretty head emphatically, "I should steal this room.

There is hardly anything I would not do to make it my

own.'

Scrope regards her earnestly, with a certain amount of calm inquiry. Is she a coquette, or merely unthinking? If, indeed, the face be the index of the mind, one must account her free of all unworthy thought or frivolous design. Hers is

"A countenance in which do meet

Sweet records, promises as sweet."

Her eyes are still smiling up at him; her whole expression is full of a gentle friendliness; and in his heart, at this moment, arises a sensation that is not hope, or gladness, or despair, but yet is a faint wild mingling of all three.

As for Clarissa, she stands a little apart, unconscious of all that is passing in his heart, and gazes lovingly upon the objects that surround her, as one will gaze now and then on things that have been fondly remembered through the haze of many years. She is happy, wrapped in memories of a past all sunshine and no shade, and is ignorant of the meaning he would gladly attach to her last words.

"While I stay here I sin, that is, I covet," she says, at length, surprised by his silence, "and it grows late. Come, walk with me a little way through the park: I have not yet seen the old path we used to call the 'short cut' to Gowran, long ago."

So, down the dark stairs he follows her, across the stone flooring, and into the hall outside, that seems so brilliant by contrast, and so like another world, all is so changed, so different. Behind, lie silence, unbroken, perfect, a sad and dreamy light, Old-World grandeur; here, all is restless life, full of uncertain sounds, and distant footsteps, and voices faint but positive.

"Is it not like a dream ?" says Clarissa, stopping to point backwards to the turret they have just quitted.

"The past is always full of dreams," replies he, thoughtfully.