Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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Page 4
... proper fymbols of lofty i- deas ; a rough fubject is imitated by harsh - found- ing words ; and words of many fyllables pronoun- ced flow and smooth , are naturally expreffive of grief and melancholy . Words have a separate ef- fect on ...
... proper fymbols of lofty i- deas ; a rough fubject is imitated by harsh - found- ing words ; and words of many fyllables pronoun- ced flow and smooth , are naturally expreffive of grief and melancholy . Words have a separate ef- fect on ...
Page 10
... proper name , viz . hiatus . The most agreeable fucceffion , is , where the cavity is increased and diminished al- ternately within moderate limits . Examples , alternative , longevity , pufillanimous . Secondly , words confifting ...
... proper name , viz . hiatus . The most agreeable fucceffion , is , where the cavity is increased and diminished al- ternately within moderate limits . Examples , alternative , longevity , pufillanimous . Secondly , words confifting ...
Page 11
... proper occafions : nei- ther can an effeminate ear bear the harshness of cer- tain words , that are deemed nervous and founding by those accustomed to a rougher tone of speech . Muft we then relinquish all thoughts of compa- ring ...
... proper occafions : nei- ther can an effeminate ear bear the harshness of cer- tain words , that are deemed nervous and founding by those accustomed to a rougher tone of speech . Muft we then relinquish all thoughts of compa- ring ...
Page 18
... ascertain with accuracy even the proper meaning of words , * Scot's Chriftian life . not not to talk of their figurative power , would re- 18 BEAUTY OF LANGUAGE . Ch . XVIII . fpeaking or writing and for that reason, variety ...
... ascertain with accuracy even the proper meaning of words , * Scot's Chriftian life . not not to talk of their figurative power , would re- 18 BEAUTY OF LANGUAGE . Ch . XVIII . fpeaking or writing and for that reason, variety ...
Page 22
... proper meaning is not what is intended : the words naturally im- port , that the beauty of the ftatues mentioned , appears to add fome new tenet or rite to the efta- blifhed religion , or appears to add new dignity to it ; and we must ...
... proper meaning is not what is intended : the words naturally im- port , that the beauty of the ftatues mentioned , appears to add fome new tenet or rite to the efta- blifhed religion , or appears to add new dignity to it ; and we must ...
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Common terms and phrases
abſtract accent action Æneid againſt agreeable alfo alſo appear arts beauty becauſe beſt cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofition confidered connected defcribing defcription Demetrius Phalereus diſtinguiſhed emotions employ'd Eneid epic epic poem example expreffed expreffion faid fame fecond fenfe fenfible fenſe feparate fhall fhort fhould fignify figure fimile fingle firft firſt fome fpeech ftandard ftill fubftantive fubject fucceffion fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances itſelf jects language laſt leaſt lefs meaſure melody mind moſt mufic muft muſical muſt nature neceffary obferved object occafion paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe purpoſe raiſed reafon refpect reprefented repreſentation reſemblance rhyme Richard II rule ſcene ſenſe ſhall ſhort Spondees ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe vafes verfe verſe words
Popular passages
Page 184 - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
Page 327 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 234 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
Page 277 - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
Page 234 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Page 312 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Page 235 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes...
Page 332 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
Page 432 - Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
Page 277 - And now go to; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up; And break down the wall thereof, and it shall be trodden down...