Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 153
... James's in- quisitive observers who never take part in the action are presented as most superior people . James confessed to being this sort of person himself . Ambiguity was certainly growing on James . It was to pass all bounds in ...
... James's in- quisitive observers who never take part in the action are presented as most superior people . James confessed to being this sort of person himself . Ambiguity was certainly growing on James . It was to pass all bounds in ...
Стр. 154
... James's estimate of him usually differs from Flaubert's if you com pare certain kinds of scenes which tend to recur in Henry James with scenes in " L'Education Sentimentale " from which James has evidently imitated them : those ...
... James's estimate of him usually differs from Flaubert's if you com pare certain kinds of scenes which tend to recur in Henry James with scenes in " L'Education Sentimentale " from which James has evidently imitated them : those ...
Стр. 160
... James is a reporter , not a prophet . With less political philosophy even than Flau- bert , he can only chronicle the world as it passes , and in his picture the elements are mixed . In the Americans of Henry James's later novels -the ...
... James is a reporter , not a prophet . With less political philosophy even than Flau- bert , he can only chronicle the world as it passes , and in his picture the elements are mixed . In the Americans of Henry James's later novels -the ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young