Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 153
... James's in- quisitive observers who never take part in the action are presented as most superior people . James confessed to being this sort of person himself . Ambiguity was certainly growing on James . It was to pass all bounds in ...
... James's in- quisitive observers who never take part in the action are presented as most superior people . James confessed to being this sort of person himself . Ambiguity was certainly growing on James . It was to pass all bounds in ...
Стр. 154
... James's estimate of him usually differs from Flaubert's if you com- pare certain kinds of scenes which tend to recur in Henry James with scenes in " L'Education Sentimentale " from which James has evidently imitated them : those ...
... James's estimate of him usually differs from Flaubert's if you com- pare certain kinds of scenes which tend to recur in Henry James with scenes in " L'Education Sentimentale " from which James has evidently imitated them : those ...
Стр. 160
... James is a reporter , not a prophet . With less political philosophy even than Flau- bert , he can only chronicle the world as it passes , and in his picture the elements are mixed . In the Americans of Henry James's later novels -the ...
... James is a reporter , not a prophet . With less political philosophy even than Flau- bert , he can only chronicle the world as it passes , and in his picture the elements are mixed . In the Americans of Henry James's later novels -the ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write