Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 134
... Marxism and Literature * ARTHUR O. LOVEJOY : Milton and the Paradox of the. M ARXISM is a materialist philosophy . It believes in the primacy of matter and that the world exists outside of us and independently of us . But Marxism also ...
... Marxism and Literature * ARTHUR O. LOVEJOY : Milton and the Paradox of the. M ARXISM is a materialist philosophy . It believes in the primacy of matter and that the world exists outside of us and independently of us . But Marxism also ...
Стр. 136
... Marxism does not deny the individual . It does not see only masses in the grip of in- exorable economic forces . True , some Marxist literary works , particularly some " proletarian " novels , have given innocent critics cause to be ...
... Marxism does not deny the individual . It does not see only masses in the grip of in- exorable economic forces . True , some Marxist literary works , particularly some " proletarian " novels , have given innocent critics cause to be ...
Стр. 549
... Marxist critic in the sense that Parrington was a Jeffersonian critic . The choice between them is largely a matter ... Marxism , by redefining milieu in economic terms , has presented a more rigorous theory of historical causation than ...
... Marxist critic in the sense that Parrington was a Jeffersonian critic . The choice between them is largely a matter ... Marxism , by redefining milieu in economic terms , has presented a more rigorous theory of historical causation than ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write