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Стр. 78
Tragedy is not , then , as Aristotle said , the imitation of noble actions , for , indeed , no one knows what a noble action is or whether or not such a thing as nobility exists in nature apart from the mind of man .
Tragedy is not , then , as Aristotle said , the imitation of noble actions , for , indeed , no one knows what a noble action is or whether or not such a thing as nobility exists in nature apart from the mind of man .
Стр. 202
but slightly to exceed this limit ; whereas the Epic action has no limits of time . This , then , is a second point of difference ; though at first the same freedom was admitted in Tragedy as in Epic poetry . 5.
but slightly to exceed this limit ; whereas the Epic action has no limits of time . This , then , is a second point of difference ; though at first the same freedom was admitted in Tragedy as in Epic poetry . 5.
Стр. 205
10 Plots are either Simple or Complex , for the actions in real life , of which the plots are an imitation , obviously show a similar distinction . 2. An action which is one and continuous in the sense above defined , I call Simple ...
10 Plots are either Simple or Complex , for the actions in real life , of which the plots are an imitation , obviously show a similar distinction . 2. An action which is one and continuous in the sense above defined , I call Simple ...
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Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young