Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 97
... artist and classicism with society ; classicism being the political concept of art to which the artist is expected to conform . It may be as well to forestall at once the criticism that on this showing the artist is merely the ...
... artist and classicism with society ; classicism being the political concept of art to which the artist is expected to conform . It may be as well to forestall at once the criticism that on this showing the artist is merely the ...
Стр. 177
... artist and the neurotic Freud is , of course , aware ; he tells us that the artist is not like the neurotic in that he knows how to find a way back from the world of imagination and " once more get a firm foothold in reality . " This ...
... artist and the neurotic Freud is , of course , aware ; he tells us that the artist is not like the neurotic in that he knows how to find a way back from the world of imagination and " once more get a firm foothold in reality . " This ...
Стр. 308
... artist of the need of seeing life steadily and seeing it whole . He will pre- 49 In the essay on Thomas Mann and André Gide , pages 116 and following . 50 Counterstatement , the chapter called Lexicon Rhe- toricae , page 231 . sumably ...
... artist of the need of seeing life steadily and seeing it whole . He will pre- 49 In the essay on Thomas Mann and André Gide , pages 116 and following . 50 Counterstatement , the chapter called Lexicon Rhe- toricae , page 231 . sumably ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young