Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 263
... beauty to an impression of the infinite involved in the identi- fication of our being in absolute spirit . In the least element of beauty we have a total intui- tion of the whole world . Every artist is a kind of pantheist . Now it is ...
... beauty to an impression of the infinite involved in the identi- fication of our being in absolute spirit . In the least element of beauty we have a total intui- tion of the whole world . Every artist is a kind of pantheist . Now it is ...
Стр. 280
... beauty here for the first time in our enquiry : beauty at which a novelist should never aim , though he fails if he does not achieve it . I will conduct beauty to her proper place later on . Meanwhile please accept her as part of a ...
... beauty here for the first time in our enquiry : beauty at which a novelist should never aim , though he fails if he does not achieve it . I will conduct beauty to her proper place later on . Meanwhile please accept her as part of a ...
Стр. 480
... Beauty before us -- but a wild effort to reach the Beauty above . Inspired by an ecstatic prescience of the glories beyond the grave , we struggle , by multi- form combinations among the things and thoughts of Time , to attain a portion ...
... Beauty before us -- but a wild effort to reach the Beauty above . Inspired by an ecstatic prescience of the glories beyond the grave , we struggle , by multi- form combinations among the things and thoughts of Time , to attain a portion ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young