Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 68
... beginning to go to the bad . All this shot through my mind as I sat down , being uncomfortable , like most people , at trav- elling with fellow passengers unless I have somehow or other accounted for them . Then I looked at the man . He ...
... beginning to go to the bad . All this shot through my mind as I sat down , being uncomfortable , like most people , at trav- elling with fellow passengers unless I have somehow or other accounted for them . Then I looked at the man . He ...
Стр. 203
... beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally ...
... beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally ...
Стр. 211
... beginning , end , or division of a sentence ; such , however , that it cannot correctly stand by itself at the beginning of a sentence , —as μέυ , ἤτοι , δέ . 8. A Noun is a composite significant sound , not marking time , of which no ...
... beginning , end , or division of a sentence ; such , however , that it cannot correctly stand by itself at the beginning of a sentence , —as μέυ , ἤτοι , δέ . 8. A Noun is a composite significant sound , not marking time , of which no ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young