Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 80
... believe . Their so - called tragedies do not and cannot end with one of those splen- did calamities which in Shakespeare seem to reverberate through the universe , because they cannot believe that the universe trembles when their love ...
... believe . Their so - called tragedies do not and cannot end with one of those splen- did calamities which in Shakespeare seem to reverberate through the universe , because they cannot believe that the universe trembles when their love ...
Стр. 259
... believe in a God , so you begin to believe that man is a god . You don't believe in Heaven , so you begin to believe in a heaven on earth . In other words , you get romanticism . The concepts that are right and proper in their own ...
... believe in a God , so you begin to believe that man is a god . You don't believe in Heaven , so you begin to believe in a heaven on earth . In other words , you get romanticism . The concepts that are right and proper in their own ...
Стр. 452
... believe what they do not understand ; fourthly , they will believe any thing at all , provided they are under no obligation to believe it ; fifthly , they love to take a new road , even when that road leads no where ; sixthly , he was ...
... believe what they do not understand ; fourthly , they will believe any thing at all , provided they are under no obligation to believe it ; fifthly , they love to take a new road , even when that road leads no where ; sixthly , he was ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young