Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 54
... cause for congratulation . " It is a great cause for congratulation indeed when such thorny problems become as smooth as silk . I may add that in so far as Mr. Besant perceives that in point of fact English Fiction has ad- dressed ...
... cause for congratulation . " It is a great cause for congratulation indeed when such thorny problems become as smooth as silk . I may add that in so far as Mr. Besant perceives that in point of fact English Fiction has ad- dressed ...
Стр. 176
... cause for the fear , though it has nothing at all to do with what is or is not in the street ; the cause is within the patient and the process of the therapy will be to dis- cover , by gradual steps , what this real cause is and so free ...
... cause for the fear , though it has nothing at all to do with what is or is not in the street ; the cause is within the patient and the process of the therapy will be to dis- cover , by gradual steps , what this real cause is and so free ...
Стр. 280
... cause and effect , and the final sense ( if the plot has been a fine one ) will not be of clues or chains , but of something aesthetically compact , something which might have been shown by the novelist straight away , only if he had ...
... cause and effect , and the final sense ( if the plot has been a fine one ) will not be of clues or chains , but of something aesthetically compact , something which might have been shown by the novelist straight away , only if he had ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young