Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 50
... character as I can imagine speaking of a picture of character . When one says picture one says of character , when one says novel one says of inci- dent , and the terms may be transposed at will . What is character but the determination ...
... character as I can imagine speaking of a picture of character . When one says picture one says of character , when one says novel one says of inci- dent , and the terms may be transposed at will . What is character but the determination ...
Стр. 353
... character first , so that we know what to expect , and the resulting actions and reactions of the character provide a filling - in and elaboration whose just ness we can appreciate by comparison with the original portrait . In Thomas ...
... character first , so that we know what to expect , and the resulting actions and reactions of the character provide a filling - in and elaboration whose just ness we can appreciate by comparison with the original portrait . In Thomas ...
Стр. 357
... character as bring out aspects of it which hither- to events had not conspired to release . This is a very different thing from the formal conversion of a villain to a reformed character . A character is not fully revealed until brought ...
... character as bring out aspects of it which hither- to events had not conspired to release . This is a very different thing from the formal conversion of a villain to a reformed character . A character is not fully revealed until brought ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young