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novels and good novels , as there are bad pic tures and good pictures ; but that is the only distinction in which I see any meaning , and I can as little imagine speaking of a novel of character as I can imagine speaking of a picture of ...
novels and good novels , as there are bad pic tures and good pictures ; but that is the only distinction in which I see any meaning , and I can as little imagine speaking of a novel of character as I can imagine speaking of a picture of ...
Стр. 353
In other novels we are given a descriptive portrait of the character first , so that we know what to expect , and the resulting actions and reactions of the character provide a filling - in and elaboration whose just ness we can ...
In other novels we are given a descriptive portrait of the character first , so that we know what to expect , and the resulting actions and reactions of the character provide a filling - in and elaboration whose just ness we can ...
Стр. 357
Yet the circumstances pre- sented in the play do not so much change Lear's character as bring out aspects of it which hither- to events had not conspired to release . This is a very different thing from the formal conversion of a ...
Yet the circumstances pre- sented in the play do not so much change Lear's character as bring out aspects of it which hither- to events had not conspired to release . This is a very different thing from the formal conversion of a ...
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Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young