Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 50
... character as I can imagine speaking of a picture of character . When one says picture one says of character , when one says novel one says of inci- dent , and the terms may be transposed at will . What is character but the determination ...
... character as I can imagine speaking of a picture of character . When one says picture one says of character , when one says novel one says of inci- dent , and the terms may be transposed at will . What is character but the determination ...
Стр. 353
... character first , so that we know what to expect , and the resulting actions and reactions of the character provide a filling - in and elaboration whose just ness we can appreciate by comparison with the original portrait . In Thomas ...
... character first , so that we know what to expect , and the resulting actions and reactions of the character provide a filling - in and elaboration whose just ness we can appreciate by comparison with the original portrait . In Thomas ...
Стр. 357
... character as bring out aspects of it which hither- to events had not conspired to release . This is a very different thing from the formal conversion of a villain to a reformed character . A character is not fully revealed until brought ...
... character as bring out aspects of it which hither- to events had not conspired to release . This is a very different thing from the formal conversion of a villain to a reformed character . A character is not fully revealed until brought ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write