Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 271
... consider ; he could work entirely within the " categories " of that drama ; he did not have to consider or criticize the religious , ethical or artistic prejudices of his race . He did not have to like so many things as we have to like ...
... consider ; he could work entirely within the " categories " of that drama ; he did not have to consider or criticize the religious , ethical or artistic prejudices of his race . He did not have to like so many things as we have to like ...
Стр. 513
... consider any hour , one which has conse- quences for his future and for other people . Let us consider any piece of any life . How far is our argument affected ? Will our standards of good and evil be altered ? Clearly the case now is ...
... consider any hour , one which has conse- quences for his future and for other people . Let us consider any piece of any life . How far is our argument affected ? Will our standards of good and evil be altered ? Clearly the case now is ...
Стр. 534
... Consider the burden you now carry , as I step before the play - mob with the fresh - murdered body of Caesar . We have established a Caesar- principle and a Brutus - principle , though I blush to consider some of the devices whereby the ...
... Consider the burden you now carry , as I step before the play - mob with the fresh - murdered body of Caesar . We have established a Caesar- principle and a Brutus - principle , though I blush to consider some of the devices whereby the ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young