Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 72
... conventions are the wrong conventions for the Georgians ? The question is difficult : I will attempt a short cut . A convention in writ . ing is not much different from a convention in manners . Both in life and in literature it is ...
... conventions are the wrong conventions for the Georgians ? The question is difficult : I will attempt a short cut . A convention in writ . ing is not much different from a convention in manners . Both in life and in literature it is ...
Стр. 260
... convention or tradition in art . A particular convention or attitude in art has a strict analogy to the phe- nomena of organic life . It grows old and de- cays . It has a definite period of life and must die . All the possible tunes get ...
... convention or tradition in art . A particular convention or attitude in art has a strict analogy to the phe- nomena of organic life . It grows old and de- cays . It has a definite period of life and must die . All the possible tunes get ...
Стр. 551
... convention when he said , " In der Beschränkung zeigt sich erst der Meis- ter . " . " 1 Limitation has often been a source of new forms , and difficulty — as the defenders of rhyme have argued , from Samuel Daniel to Paul Valéry - has ...
... convention when he said , " In der Beschränkung zeigt sich erst der Meis- ter . " . " 1 Limitation has often been a source of new forms , and difficulty — as the defenders of rhyme have argued , from Samuel Daniel to Paul Valéry - has ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young