Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 273
... drama , and has implied that we know more about that than Dryden , or Aristotle , or the Greek dramatists themselves . I say that the consummation of the drama , the perfect and ideal drama , is to be found in the ceremony of the Mass ...
... drama , and has implied that we know more about that than Dryden , or Aristotle , or the Greek dramatists themselves . I say that the consummation of the drama , the perfect and ideal drama , is to be found in the ceremony of the Mass ...
Стр. 274
... dramatic ? Shakespeare was a great dramatist and a great poet . But if you isolate poetry from drama completely , have you the right to say that Shakespeare was a greater dramatist than Ibsen , or than Shaw ? Shaw is right about ...
... dramatic ? Shakespeare was a great dramatist and a great poet . But if you isolate poetry from drama completely , have you the right to say that Shakespeare was a greater dramatist than Ibsen , or than Shaw ? Shaw is right about ...
Стр. 275
... drama and not having understood that he was obliged to attack Shakespeare as well . He was wrong , as you said , in thinking that drama and poetry are two different things . If he had seen that they are the same thing he would have had ...
... drama and not having understood that he was obliged to attack Shakespeare as well . He was wrong , as you said , in thinking that drama and poetry are two different things . If he had seen that they are the same thing he would have had ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young