Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 376
... effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it would ...
... effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it would ...
Стр. 460
... effect than a constant con- junction of events : poetry is ever found to co- exist with whatever other arts contribute to the happiness and perfection of man . I appeal to what has already been established to distinguish . between the ...
... effect than a constant con- junction of events : poetry is ever found to co- exist with whatever other arts contribute to the happiness and perfection of man . I appeal to what has already been established to distinguish . between the ...
Стр. 471
... effect for which I never could account . The effect was that it reflected back upon the murderer a peculiar awfulness and a depth of solemnity ; yet , however obstinately I endeavored with my understanding to compre- hend this , for ...
... effect for which I never could account . The effect was that it reflected back upon the murderer a peculiar awfulness and a depth of solemnity ; yet , however obstinately I endeavored with my understanding to compre- hend this , for ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young