Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 4
... existence , but only some sem- blance of existence ; and if any one were to say that the work of the maker of the bed , or of any other workman , has real existence , he could . hardly be supposed to be speaking the truth . At any rate ...
... existence , but only some sem- blance of existence ; and if any one were to say that the work of the maker of the bed , or of any other workman , has real existence , he could . hardly be supposed to be speaking the truth . At any rate ...
Стр. 128
... existence , although its actual com- position is in a state of wild flux . The final stages of capitalism reveal the fallacy of even this phantom separation , and the petty bour- geoisie finds its privileges being torn from its hands ...
... existence , although its actual com- position is in a state of wild flux . The final stages of capitalism reveal the fallacy of even this phantom separation , and the petty bour- geoisie finds its privileges being torn from its hands ...
Стр. 385
... existence , impersonalizes itself , so to speak . . . the ar- tist , like the God of creation , remains within or beyond or above his handiwork , invisible , refined out of existence , indifferent , paring his fingernails . " The epic ...
... existence , impersonalizes itself , so to speak . . . the ar- tist , like the God of creation , remains within or beyond or above his handiwork , invisible , refined out of existence , indifferent , paring his fingernails . " The epic ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young