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Стр. 4
Then if he does not make that which exists he cannot make true existence , but only some sem- blance of existence ; and if any one were to say that the work of the maker of the bed , or of any other workman , has real existence ...
Then if he does not make that which exists he cannot make true existence , but only some sem- blance of existence ; and if any one were to say that the work of the maker of the bed , or of any other workman , has real existence ...
Стр. 128
torical change of capitalist production produces always new members of this class , which there- fore appears always to have a certain stability and separate existence , although its actual com- position is in a state of wild flux .
torical change of capitalist production produces always new members of this class , which there- fore appears always to have a certain stability and separate existence , although its actual com- position is in a state of wild flux .
Стр. 385
... out of existence , impersonalizes itself , so to speak . . . the ar- tist , like the God of creation , remains within or beyond or above his handiwork , invisible , refined out of existence , indifferent , paring his fingernails .
... out of existence , impersonalizes itself , so to speak . . . the ar- tist , like the God of creation , remains within or beyond or above his handiwork , invisible , refined out of existence , indifferent , paring his fingernails .
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Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young