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Стр. 190
Afternoon gilds all the silent wires Into a burning music of the eyes . On mirroring paths between those fine - strung fires The shore , laden with roses , horses , spires , Wanders in water , imaged above ribbed sand .
Afternoon gilds all the silent wires Into a burning music of the eyes . On mirroring paths between those fine - strung fires The shore , laden with roses , horses , spires , Wanders in water , imaged above ribbed sand .
Стр. 471
The reason is that he allows his understanding to overrule his eyes . His understanding , which in- This essay was first published in The London Magazine , October 1823 . cludes no intuitive knowledge of the laws of vision , can furnish ...
The reason is that he allows his understanding to overrule his eyes . His understanding , which in- This essay was first published in The London Magazine , October 1823 . cludes no intuitive knowledge of the laws of vision , can furnish ...
Стр. 504
... we shall express personal emotion through ideal form , a symbolism handled by the generations , a mask from whose eyes the disembodied looks , a style that remembers many masters that it may escape contemporary suggestion ; or we ...
... we shall express personal emotion through ideal form , a symbolism handled by the generations , a mask from whose eyes the disembodied looks , a style that remembers many masters that it may escape contemporary suggestion ; or we ...
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Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young