Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 399
... fact that Morgann could devote a book to arguing that Falstaff is not a coward , that lately Pro- fessor Wilson has argued that at Gadshill Fal- staff may exhibit " all the common symptoms of the malady ' of cowardice " and at the same ...
... fact that Morgann could devote a book to arguing that Falstaff is not a coward , that lately Pro- fessor Wilson has argued that at Gadshill Fal- staff may exhibit " all the common symptoms of the malady ' of cowardice " and at the same ...
Стр. 489
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its emotion to the ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its emotion to the ...
Стр. 505
... fact , in the supposed fact ; it has at- tached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . - MATTHEW ARNOLD M 1 THE GENERAL SITUATION " AN's prospects are not at present so rosy ...
... fact , in the supposed fact ; it has at- tached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . - MATTHEW ARNOLD M 1 THE GENERAL SITUATION " AN's prospects are not at present so rosy ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young