Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 527
... feeling . They are , as a rule , interlinked and combined very closely , and the exact dissection of the one from the other is sometimes an impossible and always an extremely delicate and perilous operation . But the effort to separate ...
... feeling . They are , as a rule , interlinked and combined very closely , and the exact dissection of the one from the other is sometimes an impossible and always an extremely delicate and perilous operation . But the effort to separate ...
Стр. 531
... feeling . How actually do we enquire into the feeling a word ( or phrase ) carries ? How we enquire into its sense is not so difficult to make out . We utter the word or phrase and note the thoughts it arouses , being careful to keep ...
... feeling . How actually do we enquire into the feeling a word ( or phrase ) carries ? How we enquire into its sense is not so difficult to make out . We utter the word or phrase and note the thoughts it arouses , being careful to keep ...
Стр. 532
... feeling you conventionally have towards pigs , or because you propose , if possible , to excite those feelings . Both meta- phorical shifts may be combined simultaneously , and they often are . But in studying our methods of describing ...
... feeling you conventionally have towards pigs , or because you propose , if possible , to excite those feelings . Both meta- phorical shifts may be combined simultaneously , and they often are . But in studying our methods of describing ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young