Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 63
... forces on which you place a spiritual value ? It is simply on this account that he is for you , not the abstraction called a criminal who merely " gets what he deserves " ( art , like religion , knows no such thing ) , but a tragic hero ...
... forces on which you place a spiritual value ? It is simply on this account that he is for you , not the abstraction called a criminal who merely " gets what he deserves " ( art , like religion , knows no such thing ) , but a tragic hero ...
Стр. 136
... forces which drive him to his doom with the inevitability of a Greek fate . We will leave aside the question of whether or not the conception that man is driven by external fate to an inevitable end makes the creation of a work of art ...
... forces which drive him to his doom with the inevitability of a Greek fate . We will leave aside the question of whether or not the conception that man is driven by external fate to an inevitable end makes the creation of a work of art ...
Стр. 487
... forces extends be- MATTHEW ARNOLD : The Study of Poetry *. lence of the poem . To do this fully , we must identify ourselves , in fancy , with the soul of the old cavalier . Then mounte ! then mounte , brave gallants , all , And don your ...
... forces extends be- MATTHEW ARNOLD : The Study of Poetry *. lence of the poem . To do this fully , we must identify ourselves , in fancy , with the soul of the old cavalier . Then mounte ! then mounte , brave gallants , all , And don your ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young