Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 63
... forces on which you place a spiritual value ? It is simply on this account that he is for you , not the abstraction called a criminal who merely " gets what he deserves " ( art , like religion , knows no such thing ) , but a tragic hero ...
... forces on which you place a spiritual value ? It is simply on this account that he is for you , not the abstraction called a criminal who merely " gets what he deserves " ( art , like religion , knows no such thing ) , but a tragic hero ...
Стр. 136
... forces which drive him to his doom with the inevitability of a Greek fate . We will leave aside the question of whether or not the conception that man is driven by external fate to an inevitable end makes the creation of a work of art ...
... forces which drive him to his doom with the inevitability of a Greek fate . We will leave aside the question of whether or not the conception that man is driven by external fate to an inevitable end makes the creation of a work of art ...
Стр. 487
... forces extends be- MATTHEW ARNOLD : The Study of Poetry *. lence of the poem . To do this fully , we must identify ourselves , in fancy , with the soul of the old cavalier . Then mounte ! then mounte , brave gallants , all , And don your ...
... forces extends be- MATTHEW ARNOLD : The Study of Poetry *. lence of the poem . To do this fully , we must identify ourselves , in fancy , with the soul of the old cavalier . Then mounte ! then mounte , brave gallants , all , And don your ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write