Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 77
... human passions , his vision of the amplitude of human life - simply did not and could not exist for Ibsen , as they did not and could not exist for his contemporaries . God and Man and Nature had all somehow dwindled in the course of ...
... human passions , his vision of the amplitude of human life - simply did not and could not exist for Ibsen , as they did not and could not exist for his contemporaries . God and Man and Nature had all somehow dwindled in the course of ...
Стр. 378
... human justice and the notion of divine justice . The story of Paolo and Francesca is so warm , appealing , and pathetic in its human terms and their punishment so savage and un- relenting , so incommensurable , it seems , with the fault ...
... human justice and the notion of divine justice . The story of Paolo and Francesca is so warm , appealing , and pathetic in its human terms and their punishment so savage and un- relenting , so incommensurable , it seems , with the fault ...
Стр. 398
... human artifact , in the chemical structure , and in the living organism ) which is a more profound standard of unity . If a man could come ex vacuo into our known and familiar landscape and if he began to classify objects ( compressing ...
... human artifact , in the chemical structure , and in the living organism ) which is a more profound standard of unity . If a man could come ex vacuo into our known and familiar landscape and if he began to classify objects ( compressing ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young