Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 65
... idea that the kind of tragedy which he personally pre- ferred ( let us for the sake of brevity call it " ancient " ) is also the most adequate embodi- ment of the idea of tragedy ? This question can be answered , I think , only ...
... idea that the kind of tragedy which he personally pre- ferred ( let us for the sake of brevity call it " ancient " ) is also the most adequate embodi- ment of the idea of tragedy ? This question can be answered , I think , only ...
Стр. 376
... ideas which are dramatized in the poem , the idea of " sanction " and the idea of " efficiency . " But the effect of the poem does involve these two factors ; the special reserved , scarcely resolved , irony , which is realized in the ...
... ideas which are dramatized in the poem , the idea of " sanction " and the idea of " efficiency . " But the effect of the poem does involve these two factors ; the special reserved , scarcely resolved , irony , which is realized in the ...
Стр. 401
... Idea of a human race " ; but the idea may be formed by a philosopher from Shakespeare's " studies , " as also from his individuals the idea of certain types may be formed . And A. C. Bradley writes about Shelley's theory . The specific ...
... Idea of a human race " ; but the idea may be formed by a philosopher from Shakespeare's " studies , " as also from his individuals the idea of certain types may be formed . And A. C. Bradley writes about Shelley's theory . The specific ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young