Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 82
... important , and when he dies neither his death nor the manner of it will be , outside the circle of two or three people as unnecessary as him- self , any more important than that of a rat behind the arras . Perhaps we may dub the ...
... important , and when he dies neither his death nor the manner of it will be , outside the circle of two or three people as unnecessary as him- self , any more important than that of a rat behind the arras . Perhaps we may dub the ...
Стр. 110
... important elements , has been transferred to unimportant ones , so that what seems to be pushed to the forefront in the dream , as the most important element in it , only plays a subsidiary role in the dream - thoughts , and conversely ...
... important elements , has been transferred to unimportant ones , so that what seems to be pushed to the forefront in the dream , as the most important element in it , only plays a subsidiary role in the dream - thoughts , and conversely ...
Стр. 508
... important . Those who have them may very well think them indispensable , and for them they may be necessary ; but other people may not require them at all . This is a point at which differences between individual minds are very marked ...
... important . Those who have them may very well think them indispensable , and for them they may be necessary ; but other people may not require them at all . This is a point at which differences between individual minds are very marked ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young