Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 82
... important , and when he dies neither his death nor the manner of it will be , outside the circle of two or three people as unnecessary as him- self , any more important than that of a rat behind the arras . Perhaps we may dub the ...
... important , and when he dies neither his death nor the manner of it will be , outside the circle of two or three people as unnecessary as him- self , any more important than that of a rat behind the arras . Perhaps we may dub the ...
Стр. 110
... important elements , has been transferred to unimportant ones , so that what seems to be pushed to the forefront in the dream , as the most important element in it , only plays a subsidiary role in the dream - thoughts , and conversely ...
... important elements , has been transferred to unimportant ones , so that what seems to be pushed to the forefront in the dream , as the most important element in it , only plays a subsidiary role in the dream - thoughts , and conversely ...
Стр. 508
... important . Those who have them may very well think them indispensable , and for them they may be necessary ; but other people may not require them at all . This is a point at which differences between individual minds are very marked ...
... important . Those who have them may very well think them indispensable , and for them they may be necessary ; but other people may not require them at all . This is a point at which differences between individual minds are very marked ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write