Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 63
... interest is in personalities . Let us take it first , then , to lie between Macbeth and the persons opposing him ... interest in Macbeth may be called interest in a personality ; but it is not an interest in some bare form of self ...
... interest is in personalities . Let us take it first , then , to lie between Macbeth and the persons opposing him ... interest in Macbeth may be called interest in a personality ; but it is not an interest in some bare form of self ...
Стр. 508
... interest or group of interests swinging back to rest . To understand what an interest is we should picture the mind as a system of very delicately poised balances , a system which so long as we are in health is constantly growing ...
... interest or group of interests swinging back to rest . To understand what an interest is we should picture the mind as a system of very delicately poised balances , a system which so long as we are in health is constantly growing ...
Стр. 509
... interests develop ; sex is the outstanding example . His needs in- crease , he becomes capable of being upset by quite new ... interest is reacting through that means , and all the rest of the experience is equally but more evidently our ...
... interests develop ; sex is the outstanding example . His needs in- crease , he becomes capable of being upset by quite new ... interest is reacting through that means , and all the rest of the experience is equally but more evidently our ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young