Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 42
... language was thus insensibly produced , differing materially from the real language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the ...
... language was thus insensibly produced , differing materially from the real language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the ...
Стр. 191
... language of flesh and roses This phrase ( not very satisfactory in itself ) brings to my mind a whole series of experiences and the idea of a poem which I shall perhaps write some years hence . I was standing in the corridor of a train ...
... language of flesh and roses This phrase ( not very satisfactory in itself ) brings to my mind a whole series of experiences and the idea of a poem which I shall perhaps write some years hence . I was standing in the corridor of a train ...
Стр. 457
... language , and especially metrical language , which are created by that imperial faculty , whose throne is curtained within the invisible nature of man . And this springs from the nature itself of language , which is a more direct ...
... language , and especially metrical language , which are created by that imperial faculty , whose throne is curtained within the invisible nature of man . And this springs from the nature itself of language , which is a more direct ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write