Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 79
... least reconcile the desires of the beholder , not necessarily , as the naiver exponents of Freudian psychology maintain , by gratifying individual and often eccentric wishes , but at least by satisfying the universally human desire to ...
... least reconcile the desires of the beholder , not necessarily , as the naiver exponents of Freudian psychology maintain , by gratifying individual and often eccentric wishes , but at least by satisfying the universally human desire to ...
Стр. 189
... least ten which I do not write down at all . For every poem which I do write down , there are seven or eight which I never complete . The method which I adopt therefore is to write down as many ideas as possible , in how- ever rough a ...
... least ten which I do not write down at all . For every poem which I do write down , there are seven or eight which I never complete . The method which I adopt therefore is to write down as many ideas as possible , in how- ever rough a ...
Стр. 335
... least two considerable poems ; they were not elegies , but at least they were marriage hymns . In 1596 he published his Prothalamion , upon the occasion of a noble alliance ; the stanzas are exactly uniform , and they compose an admir ...
... least two considerable poems ; they were not elegies , but at least they were marriage hymns . In 1596 he published his Prothalamion , upon the occasion of a noble alliance ; the stanzas are exactly uniform , and they compose an admir ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young