Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 21
... Less than archangel ruin'd , and the excess Of glory obscur'd.— MILT . Had Milton never wrote , Pope had been less to blame : But when in Milton's genius , Homer , as it were , personally rose to forbid Britons doing 15 [ " Apollo pulls ...
... Less than archangel ruin'd , and the excess Of glory obscur'd.— MILT . Had Milton never wrote , Pope had been less to blame : But when in Milton's genius , Homer , as it were , personally rose to forbid Britons doing 15 [ " Apollo pulls ...
Стр. 45
... less favor- able to our immortal part than a stage - play , was in reality far less insulting . The only reason for the existence of a novel is that it does at- tempt to represent life . When it relinquishes this attempt , the same ...
... less favor- able to our immortal part than a stage - play , was in reality far less insulting . The only reason for the existence of a novel is that it does at- tempt to represent life . When it relinquishes this attempt , the same ...
Стр. 286
... less oblique : there is no direct poetry . But the terms " less oblique " and " more oblique ” would sound ridiculous ; and the only way to be emphatic or even generally intelligible is by exaggeration to force a hypothetical but ...
... less oblique : there is no direct poetry . But the terms " less oblique " and " more oblique ” would sound ridiculous ; and the only way to be emphatic or even generally intelligible is by exaggeration to force a hypothetical but ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young