Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 280
... looks a little surprised at being there , but beauty ought to look a little surprised : it is the emotion that best ... look surprised , who accepts her position as her due - she reminds us too much of a prima donna . But let us get ...
... looks a little surprised at being there , but beauty ought to look a little surprised : it is the emotion that best ... look surprised , who accepts her position as her due - she reminds us too much of a prima donna . But let us get ...
Стр. 369
... look close at the words , but it is hard to look close because of the romantic aura - the spiritualized mist about them . But with the last line the perfectly literal meaning suddenly comes into sharp focus . The 1 It may be objected ...
... look close at the words , but it is hard to look close because of the romantic aura - the spiritualized mist about them . But with the last line the perfectly literal meaning suddenly comes into sharp focus . The 1 It may be objected ...
Стр. 504
... looks , a style that remembers many masters that it may escape contemporary suggestion ; or we shall leave out some ... look at the faces of the old tragic paintings , whether it is in Titian or in some painter of mediaeval China , we ...
... looks , a style that remembers many masters that it may escape contemporary suggestion ; or we shall leave out some ... look at the faces of the old tragic paintings , whether it is in Titian or in some painter of mediaeval China , we ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young