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Стр. 280
She looks a little surprised at being there , but beauty ought to look a little surprised : it is the emotion that best suits her face , as Botticelli knew when he painted her risen from the waves , between the winds and the flowers .
She looks a little surprised at being there , but beauty ought to look a little surprised : it is the emotion that best suits her face , as Botticelli knew when he painted her risen from the waves , between the winds and the flowers .
Стр. 369
True , it has a literal meaning , if we can look close at the words , but it is hard to look close because of the romantic aura - the spiritualized mist about them . But with the last line the perfectly literal meaning suddenly comes ...
True , it has a literal meaning , if we can look close at the words , but it is hard to look close because of the romantic aura - the spiritualized mist about them . But with the last line the perfectly literal meaning suddenly comes ...
Стр. 504
When we look at the faces of the old tragic paintings , whether it is in Titian or in some painter of mediaeval China ... which is under the com- mand of our common moments , sings , laughs , chatters or looks its busy thoughts .
When we look at the faces of the old tragic paintings , whether it is in Titian or in some painter of mediaeval China ... which is under the com- mand of our common moments , sings , laughs , chatters or looks its busy thoughts .
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Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young