Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 337
... modern poetry . Art is long , and time is fleeting , and we have grown too impatient to relish more than the first motions towards poetic effect . The English and American Imagists exploited and consolidated this temper , which was no ...
... modern poetry . Art is long , and time is fleeting , and we have grown too impatient to relish more than the first motions towards poetic effect . The English and American Imagists exploited and consolidated this temper , which was no ...
Стр. 543
... Modern , and in the opening paragraph of one of the " modern " ( that is , hitherto unprinted ) essays I am held by this sentence : " The ' great- ness ' of literature cannot be determined solely by literary standards ; though we must ...
... Modern , and in the opening paragraph of one of the " modern " ( that is , hitherto unprinted ) essays I am held by this sentence : " The ' great- ness ' of literature cannot be determined solely by literary standards ; though we must ...
Стр. 551
The Foundations of Modern Literary Judgment Mark Schorer, Josephine Miles, Gordon McKenzie. reasons ... modern 1 [ " Mastery becomes evident only under limitations . " ] movement of realism , technically considered , is ...
The Foundations of Modern Literary Judgment Mark Schorer, Josephine Miles, Gordon McKenzie. reasons ... modern 1 [ " Mastery becomes evident only under limitations . " ] movement of realism , technically considered , is ...
Содержание
Contents | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 30
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write