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Стр. 325
5 It is only in the easy strength of occasional lines ( " A good , luxurious , palatable faith " ) that we hear his natural voice . In the plays as a whole -each made up of a succession of " great " mo- ments and heroic postures - the ...
5 It is only in the easy strength of occasional lines ( " A good , luxurious , palatable faith " ) that we hear his natural voice . In the plays as a whole -each made up of a succession of " great " mo- ments and heroic postures - the ...
Стр. 343
Hymn to David and The Ancient Mariner , the Orpheus idea , that by delight in Nature when terrible man gains strength to control it . This grand theme too has a root in magic ; it is an important version of the idea of the man power- ...
Hymn to David and The Ancient Mariner , the Orpheus idea , that by delight in Nature when terrible man gains strength to control it . This grand theme too has a root in magic ; it is an important version of the idea of the man power- ...
Стр. 346
The complex of ideas he concentrates into this passage , in fact , had been worked out already , and in a context that shows how firmly these ideas about Nature were con- nected with direct pastoral . The poem indeed comes immediately ...
The complex of ideas he concentrates into this passage , in fact , had been worked out already , and in a context that shows how firmly these ideas about Nature were con- nected with direct pastoral . The poem indeed comes immediately ...
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Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young