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novels and good novels , as there are bad pic tures and good pictures ; but that is the only distinction in which I see any meaning , and I can as little imagine speaking of a novel of character as I can imagine speaking of a picture of ...
novels and good novels , as there are bad pic tures and good pictures ; but that is the only distinction in which I see any meaning , and I can as little imagine speaking of a novel of character as I can imagine speaking of a picture of ...
Стр. 270
No one else has built a novel upon such a foundation before : it has never before been necessary . I am not begging the question in calling Ulysses a " novel " ; and if you call it an epic it will not matter . If it is not a novel ...
No one else has built a novel upon such a foundation before : it has never before been necessary . I am not begging the question in calling Ulysses a " novel " ; and if you call it an epic it will not matter . If it is not a novel ...
Стр. 282
But in the novels , though the same superb and terrible machine works , it never catches humanity in its teeth ... just a suburban roarer — but Meredith did know what the novel could stand , where the plot could dun the characters for a ...
But in the novels , though the same superb and terrible machine works , it never catches humanity in its teeth ... just a suburban roarer — but Meredith did know what the novel could stand , where the plot could dun the characters for a ...
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Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
Не показаны другие разделы: 36
Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young