Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 251
... object being proposed . According to the difference of the object will be the difference of the com- bination . It is possible , that the object may be merely to facilitate the recollection of any given facts or observations by ...
... object being proposed . According to the difference of the object will be the difference of the com- bination . It is possible , that the object may be merely to facilitate the recollection of any given facts or observations by ...
Стр. 398
... objects ( unities ) are jammed close together . There are no spaces separating the objects . We separate and perceive ... object ) , a composi- tion so complicated of human values that its interpretation is dictated by the understanding ...
... objects ( unities ) are jammed close together . There are no spaces separating the objects . We separate and perceive ... object ) , a composi- tion so complicated of human values that its interpretation is dictated by the understanding ...
Стр. 441
... object , are all right : Because no sentiment represents what is really in the object . It only marks a certain conformity or relation between the object and the organs or faculties of the mind ; and if that conformity did not really ...
... object , are all right : Because no sentiment represents what is really in the object . It only marks a certain conformity or relation between the object and the organs or faculties of the mind ; and if that conformity did not really ...
Содержание
The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
Авторские права | |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young